BEF08-24-26
one of three cushions made from a panel of 19th century Chinese embroidery on a black satin ground.
BEF08-21
One of three large cushions made from a panel of 19th century Chinese embroidery. Vivid blue silks worked in satin stitch and Peking knots and couched gold thread on a black silk satin ground.
NUJ08-4c
A cushion made from a panel of 18th century silk chenille embroidery on a cream silk satin ground
ROS04-20
A 19th Century French panel of chenille work on felt made into a cushion with modern backing and trim
NUJ08-4d
A cushion made from a panel of 18th century French silk chenille embroidery on a cream silk satin ground
NAJ01-1e
A cushion made from a panel of exquisite cream silk satin from an 18th century skirt panel, embroidered with birds, flowers and sequins.
NAJ01-1d
A cushion made from a panel of exquisite cream silk satin from an 18th century skirt panel, embroidered with birds, flowers and sequins.
NUJ08-4b
A cushion made from a panel of 18th century French silk chenille embroidery, on a cream silk satin ground.
BEF08-29-31
A set of three medium size Chinese silk cushions, made from a 19th century Chinese lilac shawl with multicoloured silk embroidery.
BEF08-28
A cushion, made from a 19th century Chinese lilac silk shawl with multicoloured silk embroidery.
VON03-27
An exquisite fragment of 18th century French silk with polychrome silk embroidery and elaborate trim, possibly an apron.
ROS06-35a
A fragment of 18th century moghul Indian embroidery, originally most probably from a bedcover, depicting birds, flowers and butterflies. The chain stitch embroidery most probably worked in the Western Indian workshops in Gujarat and made for the European market.
RPA06-5
A long and very rare panel of fine pink/red wool, woven as a damask and embellished with an all-over floral design using cordwork. Most probably a panel from a chasuble. 18th century French.
VON10-5
A very beautiful late 19th century Italian embroidered hanging, showing to parrots perched amid a garland of leaves and pomegranates. in very good condition and colour.
TPES10-12
A late 19th C. early 20th century Chinese canton shawl, exquisitely embroidered on a black silk ground, showing an assortment of exotic animals, in perfect condition.
YAM11-4
An exquisite late 19th century Moroccan embroidered purdah curtain from Rabat. Hand embroidered in floss silks on a cotton ground. In very fine condition.
VON03-26
An 18th Century French/ Spanish skirt border, polychrome silk embroidery on a blue silk damask background.
ROS10-11
A bright and beautiful bolster cover embroidered in Rabat, Morocco, silk embroidery on a cotton ground, 19th century
RPA11-11
A navy embroidered Moroccan embalage from Fez. Navy silk on a cotton ground.
ROS10-12c
One of a set of nine 18th century French seat covers. Worked in polychrome silks on a yellow silk ground. All with individual scenes.
ROS10-12b
One of a set of nine 18th century French seat covers. Worked in polychrome silks on a yellow silk ground. All with individual scenes.
CED09-3
A 16th /17th century Iberian crimson silk and applied coloured silk cope hood and amice the hood with applied yellow silk chalice, a seraph to either side the border with flower heads and leaves, worked in applied green, blue and cream silks with spangled decoration, with later added fringe, the amice designed with stylised foliage in cream, blue and green silk with gilt metal thread surround.
TCO10-1
A pair of 17th century Italian embroideries with Hooper birds and sunflowers. In exceptional condition and colour, with unusual raised work embroidery to the sunflower heads.
YAM11-3
A late 19th century Moroccan 'embalage' from Fez. Worked in turquoise silks on a cream cotton ground.
RPA11-8
A 20th century Moroccan embalage from Rabat, multi-coloured silk embroidery, in very good condition.
ROS10-12a
One of a set of nine 18th century French seat covers. Worked in polychrome silks on a yellow silk ground. All with individual scenes.
NUJ03-24
A 17th Century Italian baroque faux wall panel, made from card and wire made to look like carved wood which was then covered with grey silk and then attached to a red silk velvet background. This panel probably originates from Florence and would have been part of a set.
ROS10-13
A pair of 19th century silk Uzbek ikat woven fragments. Recently mounted, with exquisite colour.
NUJ10-15
A very beautiful 17th century silk embroidery on a silk ground. Most probably from a bed valance, showing exquisite and exotic flowers and foliage. Recently framed.
TPES08-10
A very beautiful silk embroidery on a silk satin ground, originally one half of a chasuble, Macao for the Portuguese market mid 18th century.
NUJ07-12b
One of a pair of early 19th century Greek embroideries, recently mounted.
ROS05-65
A rare fragment of Opus Anglicanum worked on red silk velvet showing angels and stylized flowers using coloured silks and gold couched thread. The textile has been pieced together from fragments, which were formerly part of a large cope. c.1380-1400
NUJ07-14a
One of a pair of early 19th century Greek embroideries, recently mounted.
YAM10-4
An 18th century English apron c. 1705-15 silk embroidery on a silk satin ground. In a modern frame
NUJ04-1
An exquisite panel worked in fine multi coloured silk embroidery, silver & gold thread reapplied onto a later silk satin background, Italian, late 17th Century, framed in gold leaf.
YAM09-7
A late 20th century panel by Textile designer Helen Jennings, c. 1988 titled "Mandala Series".
ROS05-186 b
A panel of 18th century French silk , using both hand woven brocade and damask techniques. Worked with silks and silver thread. Recently framed.
NUJ10-4
Spanish 17th C. Embroidery recently mounted
RAM10-1
An 18th century Italian picture of the Virgin Mary with very unusual original frame
NUJ08-i
A pair of panels of 18th century French silk chenille work, mounted. Polychrome silks on a cream silk satin ground.
ROS05-62a
One of a pair of 19th century silk brocades with cherubs gold on a cream ground
CED10-1
A very beautiful 17th century Portuguese embroidered panel, with unusual imagery of a mermaid surrounded by exotic flowers and birds, deer, monkeys and snakes. Held within a scolloped border.
LUJ03-46 & 47
A pair of mid -18th century embroidered panels for the front of a gentleman's waistcoat, French or possibly English. Silk on cotton. Recently framed in gesso and gold leaf.
LUJ03-3
A panel of 18th Century English polychrome silk embroidery on a cotton background, with exquisite floral design. This piece probably came from an 18th Century dress and has recently been framed in gesso & gold leaf.
LUJ03-4
A panel of 18th century English polychrome silk embroidery on a cotton background, with exquisite floral designs. This probably came from an 18th Century dress and has recently been framed in gesso & gold leaf.
ROS07-1
A fragment of hand painted calico, made for the western market, Coromandel Coast, 18th century India c. 1760. Depicting the procession of an important gentleman in a horse drawn carriage being escorted by saber wielding escorts on horseback and heralded by bugle playing servants on foot. From the end of the seventeenth century and through the 18th century painted and printed chintz became extremely fashionable for costume. This panel most probably came from a petticoat, intended for the patterned underskirts in Holland or England worn with open robes of the period. Exquisitely worked panels such as these were ordered in Europe and brought back via the East India Companies. The western influences can clearly be seen in the costumes worn by the figures, which, especially of the central figure drawn in a carriage, are very European. European hunting dogs also portray the western influence. However the Moghul influences can be seen through the men following the carriage, on horseback with their Persian sabers drawn and wearing Persian style hats.
VON06-1
A panel of 19th century French embroidery, possibly a border to a gauze dress. Worked in silk and silver thread, framed in gesso and gold leaf.
ROS10-4
A charming 18th century felt work picture of a black gentleman holding a vase of flowers with a jolly dog
ROS10-17
A fabulous Indonesian Indigo dyed batik from Java. Showing a cirulating group of shaddow puppets.
NUJ07-20
A ceremonial head veil, Morocco, Atlas mountains dramatically tie-dyed in orange and red wool. Worn by women of the Ait Atta, Berber people.
ROS10-7
A very beautiful 18th century English needlework embroidered runner
ROS05-180
A panel of 19th C. French Aubusson tapestry, depicting a bunch of Irises, in very good condition, recently framed.
TPES05-5
A panel of late 19th century English canvaswork depicting an urn filled with an assortment of flowers, recently framed.
RAM02-7b
One of a pair of 19th Century French canvas work seat covers.
RAM02-7a
One of a pair of 19th Century canvas work seat covers.
TPES10-9
An 18th century French Aubusson seat cover, with a lovely mustard yellow background
TPES10-10
An 18th century French Aubusson seat cover with a lovely mustard yellow background
RAM07-11
An English "Tile" pattern needlework carpet, Victorian 19th century worked in polychrome wool shades of red, brown orange and white, with a stylised geometric motif of an undulating spherical motif.
ROS05-46
A very fine example of fragments from a late 15th century early 16th century Brussels tapestry, depicting salamanders (the emblem of France).
NAJ09-2
A George II Needlework panel central cartouche of The Virgin surrounded by bold floral and foliate trellis
ROS10-9
An 18th century needlework picture of a shepherd and shepherdess
ROS05-237
A 19th century Indian hand block printed on cotton wall hanging, with depictions of peacocks and carnation flowers.
ROS05-25b
One of three panels of aubergine printed French toile de Jouy, early 19th century.
TCO03-6
A 20th Century American baby cot quilt
ROS04-30
A 19th Century French Provencal quilt, with paisley design, and fabulous use of colour.
ROS10-1
An exquisite quilt made from panels from shirt and dress fabric. Irish or possibly English. Late 19th early 20th C.
YAM10-20
A 19th century English patch work quilt, in lovely colour and condition
YAM08-1
A long runner of 19th century black cotton velvet with yellow silk appliqué design. Italy.
RAM11-4b
The second of two exceptional Genoese silk velvet panels. In very good condition and of stunning colour
ROS05-284
A long length of 18th century French silk brocatelle, in wonderful condition.
RAM06-6
A panel of exquisite 17th century Safavid, silk velvet with original border. Isfahan, Persia.
TCO07-2b
A panel of exquisite 17th century Italian red silk brocade with silver gilt wefts.
RAM11-4a
A panel of 17th century Italian silk cut velvet, from Genoa. Showing exceptional colour and condition.
ROS05-122
A length of exquisite 19th century Indian brocaded Benares silk with images of song birds and iris flowers
ROS10-15
A fragment of exquisite 15th century Italian silk velvet
NUJ07-29b
A panel of 18th century French silk woven brocade with beautiful colour and design.
NUJ07-29c
A panel of 18th century French silk brocade with beautiful colour and design
NUJ07-29d
A small panel of 18th century French silk brocade with lovely colour and design.
ROS10-2
A 19th century Chinese embroidered pleated skirt, silk embroidery on an exquisite blue silk satin ground
ROS10-3
A 19th century Chinese skirt, with exquisite polychrome silk embroidery depicting woman kneeling in a diagonal fret work frame, surrounded by fruits and flowers.
HT033
A length of Fijian "Masi Kesa" Tapa or bark cloth, made from the inner bark of the paper Mulberry, c. 1910. The motifs made from 'cut outs' of banana or other large leaf and the pigment rubbed through.these strips were often used as clothing wrapped around the waist or upper body
YAM10-14
A 20th century indigo dyed Nepalese chequer board rug
HT007
A Balinese Selendang (breast or shoulder cloth), endek (weft Ikat) on silk, early 20th Century.
ROS10-14
An exceptional and very rare ceremonial dress from Kohistan. With intricately embroidered upper structure, embellished with buttons, beads and zippers. The lower part made of densely pleated cotton. Very find condition.
ROS10-10
A very beautiful 18th century Japanese Fukusa or gift wrapper. Silk embroidery on a silk ground. Recently framed.
ROS05-8
A 19th C. Chinese framed panel from a skirt front. Worked entirely in satin stitch using black silk on a pale blue silk background. The panel depicts two large butterflies - symbols of joy and marital happiness, and of long life. The butterflies are separated by a large peony symbolising love and affection. The border panel contains the 'Endless knot' the symbol of the Buddhist path and the 'thread' which guides one to happiness.
LUJ09-7
A beautiful 20th century Indigo resist dyed Japanese cotton kimono.
ROS06-30
A 19th century Tanka. A portable temple hanging. Depicting Buddha on a lotus flower making the Dhyana-mudra gesture of meditation, with palms open and an object resting on the them. Embroidered in silk with a brocaded border.
ROS10-5
A very beautiful 19th century Japanese embroidered fukusa or gift wrapper, hand embroidered on a blue silk satin showing a kneeling man and a monkey
NUJ11-8
A late 19th century Japanese embroidered hanging. Entirely covered in silk embroidery. Depicting a pair of cockrels sparring by a river.
ROS05-193_194
An early 19th century Chinese forward facing dragon exquisitely embroidered using polychrome silks in brick stitch on a summer weave brown gauze silk ground. This panel is taken from a young prince's dragon robe, Chi-fu.
RPA08-1
An exquisite late 19th /early 20th C. Japanese pilgrim's robe. The Kukai pilgrims who go to Shikoku Island wear a special linen coat bearing the stamps of the Buddhist shrines visited by them, in this case there are eighty five stamps. And down the centre a mantra written in Sumi ink.
NUJ11-3
An exquisite 19th century Phulkari from the Punjab. Hand embroidered in silks on a cotton ground. In wonderful colour and condition.
YAM10-13
An early 20th century Vietnamese woven wedding blanket, hand woven natural indigo dyes.
NUJ07-19
A ceremonial head veil, Morocco, Atlas Mountains tie-dyed in square panels of dark red henna and mustard yellow cotton. Worn by women of the Ait Atta tribe, Berber people.
TCO02-23
A magnificent example of a Portuguese 17th Century colcha (bedcover) from the Castello Branco area. The entire panel is worked in polychrome floss silks on an ice blue silk background. The central medallion has a perching bird but often these centers contained the monogram or armourial of the family by whom the cover was commissioned. The piece is in excellent condition.
ROS04-8
A 19th Century Italian floss silk embroidery, circa 1840 made as an altar front, with wonderful silver thread background and flowing leaves and flowers and bird.
NAJ09-3
One of a set of four woolen curtains, mid to late 19th century English, most likely Morton & Co, with grand acanthus leaf design on a fabulous red ground
TCO09-1
A very beautiful late 19th century English wool work embroidery, showing a "tree of life" design. Comissioned by the mother of Bloomsbury Artist Eardley Knollys, from the Royal School of Needlework. In exceptional condition with very beautiful colour.
NUJ11-1
An exquisite 19th century Indian wedding shawl, with fine embroidery depicting a series of interconnected floral medallions, embellished with delicate "shisha" mirror work. Silk embroidery on a cotton ground.
TPES02-11a
An 18th century French embroidered purse. Gold wrapped thread on a red silk ground, worked only on one side.
TPES02-19
A lovely 19th century English ribbonwork purse, worked on both sides.
YAM01-10
A late 18th C letter case with cream, pink & green silk with spangles & pearled metal thread embroidery of ribbons, bows & tassels & loop fastening, French.
ROS05-49
A 17th Century English linen child's bonnet
ROS05-177
An French art deco hand painted fan depicting Japanese ladies in a fan shape frame, circa 1910
ROS08-12
An exquisite hand crafted Bohemian crystal Chandelier, each component being hand cut to the highest quality before being assembled into the final piece. For more information on our range of chandeliers please contact the gallery.
WEN06-12a
Titled "Herb Anthony" by Lucienne Day 1956
TL006
An original screen printed cotton panel by Jane Daniels titled "Bologna" for David Whitehead 1960
TL003
An original screen printed cotton panel by Diane Bell titled "Unison" for Heals 1964
TL004
Original screen printed cotton panel by Donald Hamilton Fraser titled "Cyclades" for David Whitehead Ltd 1960
WEN06-23
Titled "Fisherman's Dream" by John Tavener, for Pinewood Fabrics 1954
WEN06-11a
Titled "Sweetcorn" by Barbara Brown, for Heals 1958
WEN06-13b
Titled "Linear Flowers" by Marian Mahler 1953 for David Whitehead
TL002
Original screen printed panel by Barbara Brown titled "Expansion" for Heals 1966
TL005
Original screen printed cotton panel by Henry De Lord titled "precinct" for Heals 1960s
TL007
An original screen printed cotton panel by Jacqueline Groag 1952
WEN06-14c
Titled "Stones of Bath" by Sir John Piper, for Sanderson, 1962
WEN06-19
Untitled, by Friedlinde de Colbertaldo Dinzl, 1960 for David Whitehead
WEN06-11c
An original screen printed panel by Barbara Brown titled "Reciprocation" for Heals 1960
WEN06-11b
An original screen printed panel by Barbara Brown titled "Recurrance" for Heals 1960
WEN06-25
An original screen printed panel, untitled, for David Whitehead 1960
WEN06-18
An original screen printed panel titled "project" by Peter McCulloch for Heals 1965.
WEN06-26
An original screen printed panel titled "Volution" by Peter Hall for Heals 1965
WEN06-12b
An original screen printed panel titled "Integration" by Lucienne Day 1971.
WEN06-14d
An original screen printed panel titled "Chiesa de la Salute" by Sir John Piper 1960
TL008
An original screen printed cotton panel by Sir John Piper for Sanderson 1961
TL009
An original screen printed cotton panel by Lucienne Day for Heals 1967